Shows

An ensemble experiment in presenting "30 Plays in 60 Minutes." Too Much Light Makes the Baby Go Blind was originally performed in Chicago in 1988 by the experimental theatre troupe The Neo-Futurists. Part of their enduring mission is to create “immediate, unreproducible events at affordable prices” and that is exactly what we aimed to do as well. As one of the founding Neo Futurists members Greg Allen states it, "all of our plays are 'set' on the stage in front of the audience. All of our 'characters' are ourselves... We do not aim to 'suspend the audience's disbelief' but to create a world where the stage is a continuation of daily life."

An ensemble experiment in presenting "30 Plays in 60 Minutes." Too Much Light Makes the Baby Go Blind was originally performed in Chicago in 1988 by the experimental theatre troupe The Neo-Futurists. Part of their enduring mission is to create “immediate, unreproducible events at affordable prices” and that is exactly what we aimed to do as well. As one of the founding Neo Futurists members Greg Allen states it, "all of our plays are 'set' on the stage in front of the audience. All of our 'characters' are ourselves... We do not aim to 'suspend the audience's disbelief' but to create a world where the stage is a continuation of daily life."

Paula Vogel’s groundbreaking and controversial play How I Learned to Drive tells the story of a young girl who grows up in a complex and sexually abusive relationship with her uncle in 1960’s Maryland. The play follows the young girl, Lil’ Bit, from her adolescence through college years and ends with her as a thirty-something adult. Although Lil’ Bit and her uncle share a mutual understanding and care deeply for one another, the years of manipulation eventually drive them apart, leaving Li’l Bit with unresolved questions that she tries to now process as an adult.